Originally posted to the Anime Guidepost blog, January 26th, 2011.
You'd
think with the free time I have now I'd be able to do this better than
ever. Out of sight, out of mind, I guess, but there really is no excuse
for negligence in your own promises. Hopefully, this will make up for
it a little bit. Now that the holidays are over, things should settle
back down to a normal level of insanity. Anyways, let's get talking
about anime!
Monster (70 Episodes)
Animation: 4/5
Story: 3/5
Music: 3/5
Overall: 3/5
I'm
sure there are several of you wondering about those scores given
Monster was made by the critically acclaimed Naoki Urasawa, but I've got
my reasons, and no they don't stem from the fact that I watched the
whole series on Syfy. While I certainly don't think this was a bad
series, I don't know if it really should be lauded as much as other
people say it should be.
The story takes place mostly in Germany,
with some later episodes in the Czech Republic, and revolves around a
Japanese doctor named Kenzo Tenma who is a genius of a brain surgeon.
So much so, in fact, that he is the apple in the hospital director's eye
and is willing to let him date his daughter. Things seem to be sailing
smoothly for our foreigner when he is suddenly stopped one day by a
woman while he is walking down the hall at the hospital. The woman
demands that he give her dead husband back. Tenma knows nothing about
the woman or her husband's case but when she says that someone of higher
political position was given treatment over her husband and he died
because of it. This ethical conundrum is enough to make Tenma pause and
rethink his life and his work.
When a young boy with a bullet in
his head is brought in, Tenma sets to work on him when the director
decides to pull him away to treat another high society figure instead,
despite the fact that he came in after the boy. Tenma decides to follow
his heart and ignores the director, saving the boy's life in the
process but letting the other man die at the hands of a less capable
doctor. However, no good deed goes unpunished as Tenma's reputation
tanks immediately. The director treats him like he's not there and the
director's daughter dumps him, dropping the engagement ring onto the
street in front of him. When he makes it back to the boy now recovering
in the hospital, he rants about the injustice and politics of the
hospital environment, wishing that the leaders would just die. Then
those very men die soon afterword. Tenma is the immediate suspect, but
he's innocent, not really knowing what happened. At the same time, the
boy he saved disappeared.
The story then jumps to several years
later and Tenma is still working in the hospital when one of his
patients happens to be a criminal working for a serial killer that no
one can find. When Tenma chases his patient, he runs into the grown
version of the boy, Johan, he saved so many years ago. Realizing that
he was the one who killed the director and his associates so many years
ago, he is instantly crushed by tragedy and responsibility, compelling
him to seek Johan out and kill him in order to atone for his mistake.
The
story moves around a lot from there, taking its time to introduce many
incidental characters and how their situations are related to Tenma and
Johan. At about episode 20, the story then dumps another ten characters
into your lap that run around this tragedy between the principle two.
While it is nice to see that anime is capable of telling a dramatic
thriller, it still begs the question as to why it needed to be animated.
Sure, Madhouse does a great job and I understand that it is rigidly
faithful to the original manga, but it started to get a little too long
in the tooth towards the end and it got to the point that I basically
stopped caring about the characters. I only wanted Johan to die, no
matter who got the shot in.
Still, there were some interesting
and well-developed characters, which does show that you don't need
off-the-wall character design to make characters memorable and perhaps
that's why people like it so much. It's not an anime filled with
spiky-haired heroes, ridiculous supernatural powers, and epic space
fleets, so it has to take its time to tell a story that can still engage
an audience. As for the music, I found it to be mostly forgettable
(thought I never did listen to the official ending song; I understand
Viz Media couldn't get it, not that Syfy would show it anyway.).
Monster
certainly stands as proof that anime can do different styles of story
telling but I don't know if it deserves to be in anybody's top ten
anime. I guess I generally like anime that is willing to use animation
as a principle part of its storytelling and Monster's was stiff in this
department, relying on a lot of talking-head dialogue to move the story.
However, that does give credit to Monster's story because it was
capable of carrying the series most of the way through.
Mobile Suit Gundam (43 Episodes)
Animation: 3/5
Story: 3/5
Music: 3/5
Overall: 3/5
I
don't know if I ever said as much on this site, but I am on a personal
quest to watch all of Gundam in production order, starting with this
one. I've since finished Zeta Gundam (which I'll probably review next
time), but I thought I would take some time to discuss the classic
original series here.
Mobile Suit Gundam (also known as First
Gundam) was a pretty big deal in the history of anime, but it certainly
had it's share of struggles. Originally 50 episodes were planned, but
lack of ratings pushed the count down to 39. However, the director, the
now infamous Yoshiyuki Tomino, was able to extend it out to 43 and the
series continued to be a mediocre success. That is, until Bandai came
out with the Mobile Suit kits that let kids build the robots themselves
which sold incredibly well. From there, Gundam has been an ever-present
entity in the world of anime, coming out with series after series over
their 30-year history with varying degrees of success and popularity. I
became a huge fan with Gundam Wing when it was broadcast on Toonami,
but I've never really watched the other series except Gundam 08th MS
Team and Gundam 00, so I decided that if I'm going to be a proper mecha
and Gundam fan, I had better watch this stuff.
The original
Mobile Suit Gundam was made in 1979 to 1980 and it shows. It's filled
with all sorts of stock footage and certainly takes it time to show off
the various suits to ensure that kids will want their parents to buy
them for them. However, it also sets up many of the traditions that
Gundam has been known for all these years; a political war-is-hell
drama, a villain wearing a mask hiding a scandalous identity, great
characterization on both sides of the war which makes you a little
uncomfortable to be rooting for the good guys, taking a romp around
Earth's surface before having an epic battle in space, the rights of
people living in space colonies as opposed to those living on earth,
etc.
The first series revolves around Amuro Ray, a
fourteen-year-old boy whose father has been working on a prototype
Mobile Suit for the Earth Federation for the war against the rebellious
Principality of Zeon. When Amuro's space colony gets caught up in a
battle, he uses the confusion to take the Gundam and help the
experimental warship White Base escape to space with several citizens
aboard. As they go around space, and later Earth, trying to get the
civilians to safety, Zeon's Char Aznable, also known as the Red Comet,
chases after them, trying to take them down. Earth Federation
bureaucracy doesn't help either as White Base is ping-ponged from
battlefield to battlefield. While the series is extremely episodic in
nature, it does hold to its subplots fairly well, even if they are the
hormonal hysterics of our hero.
The music also deserves special
mention here as it sticks to Gundam and general space opera tradition of
having various melodic cues mean specific characters or forces. While
the music itself isn't great, it's nice to see that they picked up on
that style so shortly after Star Wars.
Mobile Suit Gundam is now a
relic to be seen and discussed by old-anime fans and anime critics, so
those are the only kinds of people who I can recommend it to, if they
haven't seen it already. While I don't see myself ever really watching
this series again, I'm certainly glad I saw it at least once so that I
can truly enjoy the heritage it has left for its franchise and for anime
as a whole.
Shinryaku! Ika Musume (12 Episodes)
Animation: 5/5
Story: 4/5
Music: 3/5
Overall: 5/5
I
know I promised to talk about Evangelion, but I decided to hold off on
that to talk about something new for a change. I've noticed that I
don't talk about recent anime all that much so I thought I'd at least
throw a bone in that direction. And it helps to talk about a series
that I love.
Shinryaku! Ika Musume is the hilarious story of a
humanoid squid dedicated to overthrowing the human race because of their
negligence toward ocean waters. She decides to take on the polluting
humanity by first attacking a seaside restaurant owned by the Aizawa
family. However, when she succeeds in blowing a hole through one of the
walls, Eiko Aizawa insists that she work it off and before she knows
it, she's using her tentacle powers to serve customers at the beach.
When
I first read the premise in the Fall Season previews around the web, I
knew that I had to watch this series; it looked to ridiculous to ignore.
And thankfully that hunch paid off in spades as this is one of the
funniest anime series I've seen, putting it in the same company as FLCL
and Kodocha (odd crowd . . .). Eiko works great as a demanding straight
man, with the rest of the cast filling in around Ika Musume's life (her
name really is "Squid Girl" in Japanese).
There really isn't
much of an on-going story as each episode contains three mini-stories,
but that works fine for this kind of punchy, Azumanga-Daioh-style comedy
as we're introduced to the other denizens of the beach, ranging from
lifeguards and other seaside restaurants to an adoring cosplay fetishist
and a handful of creepy American scientists. The music isn't quite as
memorable as the cast, though, even with a hyper, DDR-style opening, but
one doesn't really expect hummable themes with a show like this.
It
only takes one episode to fall in love with Ika Musume and only three
to feel it's hooks deep in your body. If someone licenses this for US
distribution, I'll definitely pick this one up. While I do prefer dubs,
creating a comparable dub script might not be worth the trouble.
Sub-only is probably the best I'll get with something like this anyway.
Highly recommended for anyone looking for a light, fluffy comedy to
ease them into pure bliss.
Well, it didn't take a year to
get a new post on this blog, but I still have a lot of room to grow.
I'm going to try to do better at this (and get back to anime watching;
I'm falling behind in my other Fall 2010 series!) but I still can't make
any concrete promises. Maybe next time, I'll talk about Zeta Gundam,
as I said before, and the manga version of InuYasha that I finished
(FINALLY!!!).
As for Winter 2011, I've decided to watch Level E,
Infinite Stratos, and Fractale (what a debacle that's been lately). I
don't see much else that I'm interested in, and I hope I'm not missing
anything this time around. Except for Cardfight! Vanguard. There's no
way I'm going to sit through a Yu-Gi-Oh! wannabe.
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