Showing posts with label Tinker Tailor Soldier Spy. Show all posts
Showing posts with label Tinker Tailor Soldier Spy. Show all posts

Friday, October 14, 2022

Let's Talk About Some TV Shows!

TV is in a very weird spot, right now.  While broadcast television still exists, most of the hype on the internet these days revolves around series being exclusively released on streaming platforms.  But is it really TV anymore?  Maybe just serialized audio-visual storytelling?  In any case, I've been picking up a show here and there, so I thought I'd give my thoughts on them, like I have been for the movies.  Granted, some of these are definitely on the older side, but being relevant or worrying about FOMO certainly hasn't been important for me lately, anyway.  

WandaVision (2021)

When I learned that Marvel was going to expand their Phase 4 with Disney+ shows, I wasn't really sure what to make of it.  While I've liked some of Agents of SHIELD, to know that they were really expanding their universe more seriously with these TV shows made me a little nervous.  Will I have to keep up with these as well, or can I just watch the movies?  So far, it hasn't been a big problem, but when it was clear that what happened to Wanda in this series was going to be relevant to the second Dr. Strange movie, I decided to give this a shot, anyway.

The result is a bit of a gimmicky thing, but it works its gimmick well.  At first, they simply show Wanda and Vision living in a sitcom life, with each episode representing a given decade of TV sitcoms.  However, as the episodes progress, it becomes pretty clear that something is up, and before long, there's a whole SWORD division outside of a strange red dome, analyzing some Wanda-based anomaly surrounding the town of Westview.  From there, the series essentially grows into a character examination of Wanda (and to a lesser extent Vision), talking about grief and loss, and trying to find purpose in a TV life that doesn't quite match reality, no matter how hard she tries.

The first episodes are a bit of a slog to get through, but once SWORD shows up, things improve, making for a generally satisfying series.  It's even amusing to see some of the MCU cameos, as well as some classic sitcom actors, and the ending is a pretty neat magic showdown between Wanda and the secret villain who has been hiding in plain sight.  While I did watch this before I saw Multiverse of Madness, looking back on it, the movie kind of colors my view of WandaVision.  While the show clearly leads into the movie, at the same time, I was kind of hoping that they would give Wanda a chance to really overcome her trials.  Still, WandaVision was entertaining on its own, and would probably be quite fun for those who are aware of the evolution of the American sitcom over the last several decades.

Obi-Wan Kenobi (2022)

I admit this was another series I wasn't sure what to make of.  After Episode 9 wrapped up the disappointing sequel trilogy, I felt I was pretty done with Star Wars, so I hadn't bothered with The Mandalorian, or any of the other Star Wars shows that have come out since.  However, seeing Ewan McGregor coming back to be the titular star of this series, I was convinced to give this a shot.  In the end, it serves as a decent, if somewhat insubstantial, bridge between the prequels and the original trilogy

After the events of Episode 3, Obi-Wan has become Ben Kenobi, keeping an eye on Luke Skywalker, but otherwise trying to live an inconspicuous life on Tatooine, hoping no one finds him.  Unfortunately, there's a group of Sith Inquisitors eager to do just that, and are willing to resort to some underhanded tactics.  When Senator Organa comes to Obi-Wan about trying to find their kidnapped daughter Leia, Obi-Wan must pick up his lightsaber once again, only to face some of his greatest fears and regrets.

I will say that it's a series that starts off a little bumpy, but builds well.  However, I did have a number of nitpicks.  For starters, when the action kicks in, so does the shaky cam thing, making it a little hard to see what's going on.  Many times I wished they just hold the camera still.  Also, the plotting has a bad habit of stopping and starting at weird times, the dialogue does feel a little flat, and some of the acting could be better.  Finally, I wasn't sure if some of the events here really reflected the attitudes and relationships shown in Episode 4.  If anything, despite the rather standard CGI one expects from the property, the show felt kind of cheap and low budget.

Despite all that, it does have its moments.  It's nice to Ewan McGregor back as Kenobi, and he does well in portraying the emotional stakes of the character, Vivien Lyra Blair plays a perfectly precocious little Leia, and it was nice to see Kumail Nanjiani again; he was clearly having fun.  As for the bad guys, Moses Ingram does solid work as an ambitious Sith with her own agenda, and Hayden Christiansen actually does a decent job reflecting the shift from Anakin to Darth Vader.  As for the action, I felt that the quality would go up and down.  However, I quite liked the sequence where Obi-wan was wandering around the basement of that Sith fortress.

It's hard to say if the series was really all that vital or necessary, but it certainly did well to fill in a gap, and does feature some fun cameos from the prequels (including a great one at the end), but does little more beyond that.  It honestly felt more like a little slice of fan service than anything else, but that's not necessarily a bad thing.

Tinker, Tailor, Soldier, Spy (1979)

After enjoying the movie last year, I decided to return to the world of British Cold War spies and their low-key efforts to stay in business.  When I had heard that there was also a TV series adaptation of the same story, featuring Alec Guinness as George Smiley himself, I knew I had to check it out.

The result is a much more slow-paced, down-to-earth affair than even the movie was, though I wonder if it wasn't more a matter of budget.  Many of the sets had a worn-down quality to them, as if they were just trying to find any old room that would work.  However, it didn't detract from the storytelling, which largely focused on the characters talking to each other and getting clues here and there.  Of course, having seen the movie, I already knew a large part of the story, so this time much of the appeal was getting a more fleshed out version of the mystery at hand, which helped to fill in some of the gaps that got skimmed over in the movie.

Right off, Alec Guinness is a lot of fun.  He retains much of his dry, laconic style from his work as Obi-Won Kenobi in the original Star Wars trilogy, but he's given a lot more to do, allowing for extended sequences of his wonderful voice and presence.  The rest of the cast is fine, if perhaps a little less interesting to watch, though seeing Patrick Stewart show up and say nothing as the villain Karla was quite a blast!  While the series is a pretty drab affair, once you get past it's low production values, the story is well-told and it really captures the dry, deliberately paced tone of le CarrĂ©'s works quite well.

The Lord of the Rings: The Rings of Power (2022)

After the Hobbit films had slumped their way into existence, the idea of more Middle-Earth shows wasn't exactly an exciting idea when Amazon bought TV rights back in 2017.  However, as time has softened my views on the Hobbit films and promotional material seemed to look promising, this series definitely became a priority for me.  While it may have taken us a long while to get here, it turns out that The Rings of Power show hasn't been a complete waste of time.

Starting in the Second Age of the Legendarium, the story starts with a re-imagined Galadriel, now a driven swordmaiden desperate to rid the world of evil.  However, when her own crew mutinies against her, she comes back to her homelands to be given the opportunity to finally go West and rest of her troubles.  Unfortunately, at the last moment, she bails, and ends up on a completely new adventure, leading her to Numenor and its complex politics.  The series also introduces a number of other characters and their own stories.  Elrond shows up, dealing with diplomatic ties between the Elves and the Dwarves.  Arondir is an elven ranger who is in love with the human Bronwyn, but they get overwhelmed by a marching army of orcs, lead by an estranged elf who serves Sauron.  And of course there are some hobbits, called Harfoots, who are suddenly visited by a man who falls from the sky and has strange powers.

If this all feels like it's a little overwhelming, that's certainly the case.  So, in an effort to keep all these stories balanced and understandable, the show moves pretty slowly for the first five episodes of its eight episode season.  While the world is well-realized and the acting has generally been pretty good, it's hard to know which parts matter and which parts are just fluff, making the show a little exhausting to watch.  Then when you get to the last three episodes, things escalate pretty quickly, not only in the violence (which gets a bit gorier than the movies ever did), but also in the plot developments, leaving the last episode feeling a little rushed.  While I am interested in a second season, I hope they iron out their pacing problems and provide a show that has better pacing.

Still, I largely enjoyed what I saw.  Sure, I have plenty of quibbles about the details of the timeline and how they're rearranging things and creating new elements, but I kinda knew this would be the case going in, so I wasn't necessarily disappointed by anything either.  While it does a decent enough job of capturing that Middle-Earth magic, and the characters aren't too bad (even if there may be a few too many), most of what we get here is essentially setup and origin stories for future seasons, making this a bit like Fellowship of the Ring in a few ways.  Still, it's a moderately decent fantasy series that may take itself a little too seriously, but maintains the epic storytelling one would expect from this world.


Well, that was a little different!  (Or was it?)  To be honest, I might be checking out a few other series that have come out in recent years (and I know there's a follow up to Tinker Tailor Soldier Spy that's very high on my priority list!), so you may see another one of these articles sooner rather than later.  There might be another article or two before the end of the year stuff I regularly do (though there really haven't been too many interesting movies lately!).  I'm always writing something, even if it takes a while for it to show up anywhere.

Tuesday, August 17, 2021

Recently Watched - 2021 Part One!

Wow, it's been awhile since I've posted anything to this site.  It's also been a while since I've seen a lot of movies.  For some reason, I haven't really been in the mood, lately, but I've finally pulled together a collection of things I've seen so far this year.  Some are new, some are old, and some are just plain weird!

Godzilla vs. Kong (2021)

Now here's a movie that probably doesn't need a review.  If you weren't already excited at the title alone, this movie probably isn't for you.  However, it does represent the culmination of Legendary's own little Kaijuverse, having made three films as set up in anticipation of this one.  While it is a fairly solid roller-coaster-ride of a movie, they don't really stick the Avengers-style landing.

The main problem is that they spend a good amount of time setting up some details that honestly the movie didn't need.  There's a subplot about a corporation doing bad things that gets explored with some pretty uninteresting characters.  Largely I think it could have been told in a more hand-wavy manner to make more room for the big monsters.

Still, the action is pretty solid, as the monsters tear all kinds of things apart in their battles against each other.  There's one out at sea that's pretty solid, but the one in a big city feels a little lifeless a times.  The story is predictable, but fortunately doesn't seem to care.  However, when you get to the big ending, the way a final problem gets resolves is very facepalm worthy.  The ending also felt a bit rushed, once the action was over.

In short, it was fun, but could have been better, especially considering that the previous film King of the Monsters was a lot more enjoyable.  As for potential sequels, they did open up another world of possibilities for King Kong, but I think the rights for Godzilla expire after this one, so it remains to be seen if Legendary will make more with that monster.  

Tinker, Tailor, Soldier, Spy (2011)

I've been hearing about this movie for quite a while, but I didn't get to it until just now.  A very slow-burning, well-paced spy thriller that's much more of a mystery than the action chops of something like Jason Bourne or James Bond.  While I knew Gary Oldman was the lead character, I wasn't expecting such a great cast!  Everyone from Benedict Cumberbatch to Colin Firth to John Hunt to Mark Strong to Tom Hardy is in this (among others) and they all do a great job.

I also think it was very well shot.  Instead of some shaky cam nonsense or over-the-top hyper editing, we see a lot of long, wide shots that let the actors move about their spaces and interact with each other in a very convincing way.  It also allows for a lot of the subtleties of the actors stand out as they give their subdued performances.  Oldman in particular seems almost stonefaced through the whole thing, but betrays just enough character and emotion to show that there's a lot going on underneath the surface.

That being said, I do think there a few scenes that seem out of place, and the ending seemed to fall together rather than feel like a grand reveal.  Perhaps I may have missed some things, as there was a lot to keep track of, but it could also just be the consequence of having to streamline parts in the name of adaptation.  Still, it was a very enjoyable watch, with a lot of attention to detail and tone, and really shows the intrigue and information-y side of spy-thrillers that we don't get too often these days.

The Green Knight (2021)

As I was going over the movies coming out this year, I saw this title in the midst of the rest and was curious.  When I learned that it would be an adaptation of the classic Arthurian legend, I was more interested.  It's not like we have a whole lot of classic medieval epics these days, so I figured this would be worth checking out.  I saw the trailers and was all set for a unique fantasy adventure, but when I finally saw the film, "unique" was the only word that remained.

That's not to say this movie is bad, or that it isn't what was advertised, necessarily, but it has a very slow pacing and deliberate sense of tone that makes it feel more like 2001: A Space Odyssey, or even like Ad Astra from two years ago.  Instead of a heroic knight off to prove his worth and honor, we get more of a character study about a mess of a young man who seeks knighthood but isn't really willing to embody its virtues.  As a result, the quest features him stumbling through the woods, dealing with robbers, ghosts, and foxes, before getting to the castle where his final temptations happen.  While all the pieces of the original story are there (with a few curious additions), the interpretation is much more symbolic, surreal, and psychological.

The cinematography is also worth noting.  We often have wide shots with long pans, mostly featuring wilderness and forests.  However, I was impressed with how they were able to feel what was likely just some nice part of Ireland feel like an alienating fantasy realm, where anything could jump out and kill you.  Overall, I had to give this movie quite a bit of thought afterward, but I eventually decided that it was actually pretty decent.  This movie is definitely not a mass-market crowd pleaser, but if you're in the mood for something more serious and more subtle and more artful, you'll probably find a lot to appreciate.

Race to Witch Mountain (2003)

I was at my parents' house recently, and we felt like watching a movie, so I recommended this one.  I had seen it and thought it was fun, but it had been over 10 years, so I didn't remember much more.  My family had been fans of the original films from the 70s, but hadn't seen this remake so they were on board.  Rewatching it again largely confirmed what I remembered: a fun little family friendly sci-fi action film.

The story is pretty straight forward: a Vegas cab driver suddenly picks up two alien teenagers and gets wrapped up in their quest to find an artifact left behind by their parents in order to prevent an intergalactic war.  Conveniently, there also happens to be a sci-fi convention in town, ensuring there will be a few "experts" helping them out.  It's a pretty fun romp, with good pacing and a few solid gags to balance out the chase scenes (of which there are many).

The casting is solid, if not quite amazing.  Dwayne "The Rock" Johnson has a pretty good time as the cab driver with a rough past, but this was towards the beginning of his acting career, so he's a little leaner, and doesn't have quite as much presence on screen as his later appearances.  However, this is fine as it allows the rest of the cast to shine a little, in particular the two teenage actors playing the aliens, who both find a good mix of earnest and yet disconnected from Earth culture.

Surprisingly, the special effects have held up pretty well, but perhaps it easy to be lenient on a film that's not afraid to be a little cheesy for the sake of B-movie antics.  The only real problems I think the movie has is that the villains are kind of forgettable (they're some pretty obvious stock types) and the plot and characterizations are definitely on thin side.  Still, I think this is something of an overlooked gem, and worth a look when you want something fun to watch.  Easily recommendable.


I don't know if I have any major plans for articles here for the rest of the year.  I don't even know if I'll have a 2021 wrap up (though there are a number of films I want to see at the end of this year).  We'll have to wait and see.  I've been dealing with some health issues (dang smoke), but I'm surviving for now.  Hopefully, you're all staying safe.